Sunday, June 24, 2012

PST: Will Rooney be England's edge over Italy?

source: Reuters

Saturday afternoon I opened my mailbox to find a notice from a former employer. My retirement plan had no declared beneficiary. The message I, a Euro-obsessed man, inferred: Sunday?s England-Italy match may kill you.

That?s also when it hit me: I?ve become far too obsessed with England-Italy. To verify, I looked back at all the hyperbole I?ve spewed since Tuesday:

  • ?We?re probably in for one of the worst matches of the tournament, ??
  • ?England and Italy is a dream matchup ? for people who are having trouble dreaming.?
  • ?If you know anybody with an untreatable sleeping disorder, prop them up in front of a television at 2:45 p.m. Eastern on Sunday. The national teams of England and Italy will put forth their best attempt to cure world insomnia. It should be a banner day for the sleep disorder community.?
  • ?I?d suggest brewing a lot of coffee for Sunday?s game, as you?re going to need help staying awake.?
  • ?I hope they start with penalty kicks and save us two hours of ennui.?
  • ?[R]eprobate fans like myself will reflexively watch Sunday?s quarterfinal, thereby meeting most DSM-IV criteria for addiction and dependence.?

Somebody call Dr. Drew.

It?s a stupid list, one that makes me feel bad because even if we do get a stoic match between two teams whose styles merge with the dissonance of microphone feedback (add that to the list), we?ll still have two fabled nations meeting in the knockout stage of a major international tournament. How excited would we have been at the beginning of the tournament if somebody told us this would be a quarterfinal?

That this should be a really, really close, well-played game should be enough to justify our excitement. Here I could be all clich?-y and talk about why we love sports, but we don?t really love sports just for the competition. I can?t remember the last time I watched AYSO soccer, but I sure remember some of those games being close. Sunday?s match is going to be close, the stakes will be huge, and we?ll have 22 of the world?s best athletes playing it out.

It may be one of the tournament?s worst matches (who knows), but it?s still a Euro 2012 quarterfinal, and I don?t know about you, but my life isn?t so all-fire important that I can?t sit down and see if the thing can?t exceed my expectations. What else am I going to do? Live out my life in 120 character bursts?

And with that, here?s the playlist for Sunday?s quarterfinal, the 2:45 p.m. Eastern kickoff deciding who moves on to face Germany on Thursday.

source: AP1. (Didn?t used to be an) Empty tin

After one match, Italy midfielder Andrea Pirlo looked like the tournaments best player. Then a slowed down a little versus Croatia, and when he didn?t recover against Ireland, it was obvious. The short turn around time is taking its toll.

Pirlo isn?t especially old. He?s only 33, but he has accumulated a tone of miles. Only once in the last decade has he failed to play at least 40 matches in a season (counting club and country appearances). For a four year stretch between 2003-04 and 2007-08, he played over 50 matches in every year. It?s not quite Lampardian, but it?s still a lot of wear and tear.

Between Italy?s last group game and Sunday?s quarterfinal, the Juventus regista has had five days off. ?Hopefully, Pirlo will be recharged, because in a match that looks to even on paper, one small sway could tilt the scales.

2.Volatile pair (Volatile game)

It?s a bit strange that Mario Balotelli?s antics have been singled out ahead of a game that will feature John Terry. Balotelli?s portrayed as an impulsive, immature talent that exercises poor judgement, but compared to Terry?s knee to Alexei Sanchez?s back ahead of the Champions League final (which Terry had to miss, serving a red card suspension), Balotelli looks more?quixotic?than malicious.

Teams with Antonio Cassano, Balotelli forms one of the most volatile attacking tandems in tournament memory, but they?re not the only sparks in Sunday?s potential tinder box. Wayne Rooney entered this match serving a red card suspension, Ashley Cole?s off-field behavior has had it?s Balotellian turns, Thiago Motta (perhaps unfairly) has seen red in a Champions League semifinal, while no U.S. Men?s National Team fan need be reminded what Daniele de Rossi did to Brian McBride.

There are a number of flash points in Sunday?s game. Thankfully, none of them are truly likely to spark.

source: Reuters3. Wide open spaces

As similar as these teams are, one has wide play, and the other does not. Seems like a big difference, right? It will be, if England exploit it.

Italy provides no real help for their fullbacks (or wingbacks, if they play 3-5-2). The narrow midfield invites the opposition?s wide players onto Ignacio Abate and Federico Balzaretti, though none of their Group C opposition exploited it. Ireland doesn?t exploit anything, Spain play too narrow, while both Croatia fullbacks (Darijo Srna, Ivan Strnic) had good games against the Italians.

England should provide more of a challenge. On Italy?s right, the threat of the two Ashleys (Cole and Young) should be clear. Claudio Marchisio is going to have to help Abate. On the other flank, James Milner?s nowhere near as dangerous, but somebody?s going to have to get out and contest his crosses. And if Milner?s not out there, it?s going to be Theo Walcott ? an even more dangerous proposition.

4. A small wish for Wayne Rooney

It?s rare that a great player has such a glaring chance to define a match. Is Wayne Rooney a great player? I don?t really know. A lot of that depends on how you define great, but on Sunday he?s going to the be one, glaring, meaningful difference between two teams that couldn?t be more evenly matched.

Perhaps it?s an unfair expectation, but players who have blessed places in the starting XI are usually those who?ve shown they can do special things. And so when an England fan looks at Italy and looks at the Three Lions, it?s not without reason that they look at Rooney and think they can win. Italy?s just like us, except we have Wayne Rooney. They don?t.

And if England?s eliminated? How did that happen? We have Wayne Rooney. They don?t.

I don?t know if Wayne Rooney?s a great player, but some people might make their decisions tomorrow.
ProSoccerTalk is doing its best to keep you up to date on what?s going on in Poland and Ukraine.?Check out the site?s Euro 2012 page?and look at the site?s previews, predictions, and coverage of all the events defining UEFA?s championship.

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Thursday, June 21, 2012

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Wednesday, June 20, 2012

The Better Bonobos of Our Nature

In contrast to ?killer-apes,? the latest evidence suggests our peaceful primate cousins may be a better model for human origins.

Author?s note: A new study published in the journal Nature has sequenced the genome of bonobos and compared them to chimpanzees as well as humans finding some surprising results. The following is an article I wrote last year for Times Higher Education entitled ?Ariel Casts Out Caliban? that explored the evidence then available that bonobos were a better model than chimpanzees for understanding human origins.

"Bonobo Shakespeare" by Nathaniel Gold

"Bonobo Shakespeare" by Nathaniel Gold

In 1607, after being held captive by the Portuguese in West Africa?s Congo Basin for nearly 18 years, the English sailor Andrew Battell returned home with lurid tales of ?ape monsters?. The larger of the two creatures Battell described, according to the edited volume later published by travel writer Samuel Purchas, Purchas His Pilgrimes, ?is in all proportion like a man?, but ?more like a giant in stature?and has a man?s face, hollow-eyed, with long haire upon his browes?. These marauding beasts ?goe many together, and kill many (villagers)?they are so strong, that ten men cannot hold one of them?. Battell?s narrative, much of which was received second hand and sure to be highly imaginative, was nevertheless one of Western society?s earliest introductions to our evolutionary cousins, the great apes.

Simia quam similis turpissima bestia nobis (?How similar the ape, this ugliest of beasts, is to ourselves?). What the Roman poet Ennius presented in the 2nd century BC was a refrain that could be heard repeatedly during the subsequent two millennia whenever Europeans encountered this being that so threatened the line separating human and animal. The common depiction of non-human primates in the West as representations of sin and the Devil, wickedness, frivolity, impulsivity and violence would ultimately say more about our own discomfort at being reminded of similar qualities in ourselves than their nature.

But it is the depiction of the ape as monster that is even more revealing. When Bishop John Bramhall challenged Thomas Hobbes? position on free will in 1645 by insisting that ?Nature never intends the generation of a monster,? he wasn?t referring to apes but to what today we would call a mutant; something fundamentally unnatural and far removed from ourselves. For Battell, and those who came after him, to use this term repeatedly for describing great apes suggests that the experience was so profoundly disturbing that the only recourse was to relegate them to some narrow island of the mind where any similarities with humans could be ignored. The ape, to adopt lines from Shakespeare written at the time, was ?a perfidious?howling?abominable monster?, little more than ?a born devil, on whose nature nurture can never stick?.

As it turns out, William Shakespeare?s The Tempest (1611), generally accepted to be the Bard?s final production, was ideally timed for the playwright to have encountered the story of these ape monsters. As science writer Dale Peterson has shown, enclosed in the same edited volume that contained Battell?s narrative was the report of a tragic shipwreck in the Bermuda islands that Shakespeare is known to have used while developing his script. While the play has been widely interpreted as a commentary on 17th-century British colonialism, the relationship between the part-human, part-animal Caliban and his master Prospero ? a deposed duke, marooned on an island prison, who has learned to manipulate the natural world ? suggests that Shakespeare may have been asking deeper questions about human nature during a time of systemic change. Caliban, portrayed as an ugly, selfish and disloyal wretch who forges a plot to murder his master in his sleep, embodies nearly all of the characteristics usually imposed on apes and is referred to as a ?monster? no fewer than 45 times.

The kind of exotic travel narrative that Purchas sought out in Battell or that Shakespeare chose as his swansong came at a unique time in Western history, between the publication of Nicolaus Copernicus? new model of the Universe in 1543 and Galileo Galilei?s confirmation of his insights in 1632. As the new physics and cosmological discoveries were destabilising humanity?s central position in the celestial order, biology and the discovery of great apes began to fracture a previously ordered hierarchy in the natural world. In time, the ?beasts? and ?killers? that travellers such as Battell encountered in distant lands would give rise to a new generation of monsters, ones that would only loom closer as a disoriented public struggled to maintain their balance during a period of rapid change.

While it seems clear that the larger of Battell?s two ?monsters? was most likely a gorilla, the ?lesser? figure he referenced could have been either a chimpanzee or a bonobo, since both are endemic to that region of Africa. All three species, along with humans and orang-utans, comprise the Hominidae family, more commonly known as great apes (the more distantly related gibbon, the only ape with a consistently monogamous lifestyle, is in a separate taxonomic category).

Research published in March, 2011 by the online journal PLoS Genetics is the latest to emphasise our close relationship to the great apes. In direct contradiction to the idea of apes as monsters (or even perhaps its ultimate rationale), it adds to the multiple genetic analyses carried out over the past 20 years that found that the two Pan species ? P. troglodytes (chimps) and P. paniscus (bonobos) ? share about 98.8 per cent of their DNA with humans. The ?monsters? of yore are but minor variations of ourselves. However, the latest study moves the percentage even closer and raises intriguing questions about what the rate of evolutionary change in our closest relatives might tell us about human origins.

The study was the product of an international team who, for the first time, constructed a comprehensive family tree of all living primate species from the mouse lemur to the great apes. By conducting a comparative analysis of 54 nuclear gene regions ? DNA that is passed on through sexual reproduction ? the resulting phylogeny creates a temporal map that places each of the 186 species into an evolutionary relationship with all the others over a period of 90 million years.

As the genetic and fossil data have shown, Homo and Pan shared a common ancestor until about 6.5 million years ago. Following this speciation event, bonobos and chimpanzees then split from their common ancestor approximately 1.5 million years ago. Conventional wisdom has always been that humans are equally related to both species, the same way that you would be equally related to cousins born to different aunts on the same side of your family. Despite this identical relationship, however, chimpanzees have long been the preferred models for testing assumptions about what the Homo-Pan ancestor would have been like.

?Until now the strategy of many anthropologists has been to marginalise the bonobo,? says Frans de Waal, a leading primatologist who studies great ape behaviour and cognition at Emory University?s Yerkes National Primate Research Center in Atlanta, Georgia. De Waal has done more than any other researcher to bring attention to this close relative: among its ranks, female alliances intimidate males, sexual behaviour is as diverse as our own, and cooperation replaces aggression as the norm in social interactions.

?Perhaps this new genetic analysis will finally open the eyes of many that we have for four decades been hearing an overly narrow perspective on human evolution,? he says.

?Ever since Raymond Dart, anthropologists have been seriously invested in a theory of humans as aggressive, tying human progress to warfare and all of our accomplishments to defeating so-called ?lesser? tribes.?

Dart was the progenitor of this ?we are the champions? literature, beginning in 1925, when he built his dark vision of human evolution on the back of one of the most important scientific discoveries in history, made the previous year: the 2.8 million-year-old hominin fossil Australopithecus africanus, then the earliest known member of the human lineage ever discovered. Ironically, he had never wanted to go to Africa and viewed his position there as a demotion, marooned to the backwaters with little hope for career advancement. His fortuitous discovery of a juvenile skull, the ?Taung child?, was a major breakthrough that confirmed a prediction made by Charles Darwin as early as 1871.

But if Dart thought his ship had come in, it was an illusion. Few of his colleagues were looking to Africa for important discoveries, and certainly not to South Africa. Asia is where hominin evolution was expected to have occurred and Dart, along with his child-sized skull, was a laughing stock. Isolated and rejected by his colleagues, but sitting on a treasure trove of readily accessible fossil material, Dart began to imagine. Like the deposed Prospero, manipulating the reality of his island prison and populating his loneliness with phantasms, he fashioned a monstrous creature that would serve him in the years to come.

Caves are ideal environments for fostering the transformation of bone into rock and maintaining stable conditions for the preservation of fossil remains. It was in just such a cave that Dart?s ?killer-ape? was born. As more australopithecine fossils were discovered, protected in these subterranean lairs, it was revealed that they were often associated with the discarded remains of partially consumed mammals. It was unlikely that such an assemblage could have developed by chance and Dart interpreted these animals as victims of our hominin forebears, who were now revealed to be ?confirmed killers?.

As Dart would describe in the article ?The predatory transition from ape to man?, the human lineage was therefore descended from ?carnivorous creatures, that seized living quarries by violence, battered them to death, tore apart their broken bodies, dismembered them limb from limb, slaking their ravenous thirst with the hot blood of victims and greedily devouring livid writhing flesh?. Standing over the imagined carnage, Dart saw that Man had emerged, red in tooth and claw, with a lust for death.

This ancestral Caliban, a creature that longed for bloody violence (to ?batter his skull, or paunch him with a stake, or cut his wesand [windpipe] with thy knife?) was, for Dart, the beginning of human domination over nature. But he was far from the only anthropologist depicting violent and predatory habits in the human past. The horrors of the Second World War offered such stuff as nightmares are made on, and in the following decades researchers increasingly turned to the ?Dark Continent? to find causal explanations for the worst excesses of human violence.

For the American primatologist Sherwood Washburn, Australopithecus africanus was ?already a hunter?, but through him emerged a killing instinct honed by evolution. ?Man is naturally aggressive,? wrote Washburn in Man the Hunter. ?He naturally enjoys the destruction of other creatures?Other human beings were simply the most dangerous game.? Joining him was Nobel prizewinning ethologist Konrad Lorenz, who wrote in On Aggression that our tool-bearing australopithecine ancestors ?promptly used their new weapon to kill not only game, but fellow members of their species as well?. Completing the raiding party was the science populariser Robert Ardrey, who recrafted Dart?s vision for a new generation of readers in the 1960s with his book African Genesis. ?We were born of risen apes, not fallen angels,? he wrote, ?and the apes were armed killers besides.?

That there was little in the way of fossil evidence supporting these pessimistic conclusions didn?t seem to have been noticed. ?Virtually all our theories about human origins were relatively unconstrained by fossil data,? says David Pilbeam, a palaeoanthropologist at Harvard University, in Current Argument on Early Man (1980). ?Our theories have often said far more about the theorists than about what actually happened.?

What actually did happen, something that would have to wait until the mid-1970s to be established, was altogether different. The animal remains that Dart found scattered throughout hominin caves were actually the leftovers from African carnivores such as lions and leopards. Australopithecines had not been the predators; they were the prey. While some of them may have fashioned basic stone tools, they most likely used these as cutting implements to carve up animals that had already been killed by larger, more dangerous hunters.

But by then the myth of the killer-ape had caught hold and Dart?s conjuration had mesmerised millions. Already popular in comic books and adventure novels, now moviegoers witnessed the origin story of this monster in the opening sequence of Stanley Kubrick?s 2001: A Space Odyssey (1968). Choreographed by Dart?s student Phillip Tobias, the scene depicts a ragged australopithecine who raises a discarded femur against his brother and employs it to commit the world?s first murder. Afterwards, in an ecstasy of violence, this would-be Cain hurls the bone skywards where, in a multimillion-year jump, it becomes an orbiting spacecraft. The metaphor is unmistakable: through aggression, selfishness and the tools of violence lay the secret to humanity?s success. The wages of sin may be death, but the compound interest was paid out in dividends of human progress.

?Then suddenly,? says Jane Goodall, pioneering primatologist, in Reason for Hope, ?we found that chimpanzees could be brutal ? that they, like us, had a dark side to their nature.? Previously the killer-ape had to be imagined and their tools of violence manipulated to create the monster. But now the carnage was real. The earliest long-term field studies in the 1960s began to reveal P. troglodytes as the monster we?d always known him to be, confirming the worst fears about our own nature. Chimps would engage in all-male raiding parties to patrol their territory and murder outsiders who strayed too near. There were documented cases of infanticide, cannibalism, the murder of group members, as well as the orgiastic ferocity of the hunt. That later research showed these cases to be rare or exaggerated in the media didn?t seem to matter. The story to explain humanity?s Fall had already been written and the new ?killer-ape? could now step into the role.

?Chimpanzee-like violence preceded and paved the way for human war,? explains Harvard primatologist Richard Wrangham in his 1996 book Demonic Males: Apes and the Origins of Human Violence, ?making modern humans the dazed survivors of a continuous, 5-million-year habit of lethal aggression.?

After being confined her whole life to the same island prison as her embittered father, Prospero?s youthful daughter Miranda was overjoyed at the prospect of a new life. ?How many goodly creatures are there here!? she announced. ?O brave new world, that has such people in?t!? For those who had grown up expecting monsters, the discovery of bonobos provoked a similar hopeful response in the generation after Dart. The tragedy for many is that they were known about all along but were ignored because they didn?t fit the story crafted for human origins.

Even before bonobos were identified as a distinct species in 1929, it was clear that something was different about these apes. In 1925, the same year that Dart was summoning his killer-ape from the subterranean caves of Africa, Robert Yerkes, the American psychologist and primatologist, encountered a remarkably different chimpanzee he named ?Prince Chim?. This individual was notably more sensitive, altruistic and intelligent than any ape Yerkes had ever encountered. What the great psychologist did not know at the time was that Prince Chim was a bonobo.

?Doubtless there are geniuses even among the anthropoid apes,? Yerkes observed. ?Prince Chim seems to have been an intellectual genius.? Yerkes was so struck by his behaviour that he titled the book based on his encounter Almost Human (1925).

Anatomically, bonobos were also found to be strikingly human-like and many initially doubted Dart?s claim that Australopithecus africanus was a human ancestor precisely because the skull was so similar to that of the newly discovered bonobo. Subsequent research on bonobos has found regular bipedalism, face-to-face mating (requiring a more ventral orientation of the vagina), reduced limb and body proportions, reduced canines, greater breadth of diet, larger group sizes and reduced competition within groups; all traits shared more closely with humans than chimpanzees. Recent research has also found that bonobos are closer to humans in the genetic expression of hormones promoting sociability and in the brain regions that give rise to empathy. As early as 1933, Harold Coolidge, the anatomist who gave P. paniscus its eventual taxonomic status (and who did the post-mortem on Prince Chim), concluded that this ape ?may approach more closely to the common ancestor of chimpanzees and man than does any living chimpanzee?.

Bonobos directly contradict the monstrous reflection of human nature reproduced over the subsequent 80 years. While they are far from passive, they reveal a species that succeeds more through mutual aid than through aggressive violence. ?From the point of view of individual survival, they are the most successful species among the higher primates,? says Takayoshi Kano, a Japanese primatologist who has overseen the longest continuous field study of bonobos in the wild. ?They prove that individuals can coexist without relying on competition and dominant-subordinate rank,? he writes in The Last Ape (1992).

Such differences suggest that chimpanzees and bonobos have undergone very different selection pressures since they diverged from a common ancestor, unique environments that inscribed unique patterns of genetic information over time. According to Kano, the differences between bonobos and chimpanzees are likely the result of the bonobo habitat remaining ?a relatively stable forest environment?, whereas chimpanzees adapted to more variable conditions. These differences in habitat may be reflected in the recent PLoS Genetics analysis that suggests chimpanzees have undergone more alterations in their genetic code than the bonobos, an estimated divergence of 12.4 per cent from our Homo-Pan ancestors.

?If that were true,? says de Waal, ?then bonobos would be our closest relative, with the chimpanzee a close second and gorillas in third place.? Statistically, the 12.4 per cent difference does not make bonobos significantly closer to humans than chimpanzees (both Pan species remain sister taxa), but it has evolutionary researchers puzzled over what this could mean about human origins.

?They?ve found that chimpanzees have one extra substitution for every six between humans and bonobos, and that?s strange,? says John Hawks, biological anthropologist at the University of Wisconsin-Madison. Chimpanzee nucleotides ? the A, C, T or G base pairs that make up the vocabulary of DNA ? have been evolving faster, substituting one for another at a higher rate since the two species separated from their common ancestor.

Jonathan Eisen, evolutionary biologist at the University of California, says this coincides with additional research (such as that published in Nature by Tomas Marques-Bonet et al. in 2009) showing an increased genetic substitution rate in chimpanzees compared with humans. More research is needed before any conclusions can be reached, but the study raises important questions about the emphasis on chimpanzees as the model for human origins. ?If the rate is higher then they should have indeed diverged more from a common ancestor,? says Eisen. ?Bonobos might be more similar to the common ancestor of humans, chimps and bonobos than chimpanzees are and thus make a better model for learning about early human evolution.?

In the final scene, Shakespeare has Prospero come to recognise himself in his monster and free him from bondage. ?This thing of darkness,? he says of Caliban, ?I acknowledge mine.? Prospero?s journey is much like our own. Whatever reason Western society had to be repulsed by apes, whether for destabilising our position at the centre of the natural world or merely because they were so ?disproportion?d in manners and in shape? as to remind us of our lowly origin, prithee never mind. The killer-ape is our own creation and by holding on to this myth we are chaining ourselves to a pessimistic vision of human nature. We may be risen apes, but this need not reduce the better angels of our nature. In the end, by releasing Prospero?s monster, we are releasing ourselves.

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Tuesday, June 19, 2012

[Video] Manicanparty ? Animal

posted by: D Prep New Music Daily


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SITR?s been really excited about Manicanparty since we first heard their music several months ago. Singer Jessica Corazza and producer Patrick Morrissey have energies that really feed off of one another, and that?s evident in this video.

Here, they cover Miike Snow?s ?Animal,? taking it and really putting their own unique spin on the original. The video itself gets a little crazy at times, with really artsy, colorful clips of Jessica juxtaposed with simpler, straightforward clips of the two of them performing the rendition.

Keep an eye out for more original music from the duo, and let this great cover tide you over in the meantime.

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Dream Big


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Review: 'To Rome With Love' is Woody Allen on automatic pilot

Alec Baldwin and Jesse Eisenberg play two different versions of the same character in the most successful of the multiple storylines in Woody Allen's new anthology film 'To Rome With Love'

Credit: Sony Pictures Classics

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"To Rome With Love" is the 11,000th motion picture by writer/director Woody Allen, and he deserves congratulations for the sheer volume of work he's produced, if nothing else.

Perhaps I exaggerate slightly, but I do find myself often pleased by the mere existence of a new Allen film because of the place it occupies in the natural order of things.? A new Allen film every year.? That's federal law at this point, right?? And when people talk about what distinguishes Allen's work, you'll hear them talking about dialogue rhythms or the font he uses for his titles or his soundtracks, but those are mere gravy on the actual meat of what it is he does, and I think he's fascinating for the way he basically found his own approach to storytelling and he's worked variations in that same form ever since.

He's taken steps away from his main approach a few times, but he always eventually finds his way back, and it's been true from the jokes he wrote as a stand-up to the short pieces he collected in books like "Without Feathers" and continued directly into his filmmaking career, one of the richest and most fully explored of any American director, now or in the past.? Woody Allen worships at the altar of the high concept.? He loves to imagine a mundane world where one crucial detail is tweaked to comic effect.? Sometimes, those high concepts are super high concept, like "The Purple Rose Of Cairo" or "Midnight In Paris" or "Zelig."?

Last week, I watched "New York Stories" for the first time since 1989, and his segment in that film, "Oedipus Wrecks," is a perfect example of the way Allen's mind most naturally works.? He takes something as universal and simple as a difficult relationship between Mother and Son and then adds the notion of the overbearing smothering Mother growing to hundreds of feet high and existing in the sky above New York, exaggerated to the largest possible effect.? It allows him to dig into the meat of something because he's made it ridiculous.? He can do almost anything in his films once he makes a jump like that.? In fact, I think it's fair to say that Woody Allen is comedy's Rod Serling in the way he uses a fantastic premise to tell an observational human or social story.

In "To Rome With Love," which is just a series of stories, not directly connected, and Allen's doing these one-idea sort of doodles, very much like his short fiction.? I think the most interesting idea is the one about the 50-something professional, visiting Rome on a holiday with his younger wife, who tells her that he'd like to go take a walk by himself through the neighborhoods where he lived for a time during school.? It's a melancholy stroll, as he sees what's the same, what's changed.? He stops at a bench, thinking? and his younger self walks by.? Stops.? They chat.? And then his younger self takes him on a stroll back into the past.? He realizes he's at a moment where he's dating one girl (Greta Gerwig) but meets a new girl (Ellen Page) and has a crisis, a sexual meltdown of sorts.? As the older version, Alec Baldwin, watches the younger version, Jesse Eiseneberg, go through the early stages of this fumbling slow-motion disaster, warning him what's going to happen.? He tries to dissuade him, but, as Allen once famously said in another film, "The heart wants what the heart wants."? So all he can do is watch it again, making wry comment about what's happening.? It's a nice piece about the way perspective allows us to see our own mistakes more clearly without giving us any way to change them, and it's nicely performed across the board.

The most absurd of the stories has to do with a young American woman named Hayley (Alison Pill) who meets and falls in love with an Italian boy named Michelangelo (Flavio Parenti).? When her parents, played by Woody Allen and Judy Davis, come to Italy to meet her parents, played by Fabio Armiliato and Monica Nappo, it kicks off a very strange professional collaboration. Turns out his father is a gifted natural tenor, but only when he sings in the shower, leading her father to stage a production of "Pagliacci" in which a shower stall is wheeled out onto the stage to allow him to stand in the shower and sing.? There's also a segment where a perfectly average Italian family man named Leopoldo (Roberto Benigni) suddenly finds himself under the full scrutiny of the paparazzi for no reason he can discern, which is as slight as that idea sounds.? The final segment is about a young couple who come to Rome on a business trip, only to get separated before his big business dinner, forcing him to ask a Roman prostitute (Penelope Cruz in a dress that deserves an award of some sort) to pose as his wife for dinner.

That is the ultimate weakness of "To Rome With Love."? These are such simple ideas, such one-note jokes, that as soon as the idea is fully established, you've got the whole thing.? Allen doesn't really have any twists to play or any surprises to reveal.? The film is painless, and it looks and feels exactly like a Woody Allen film.? But considering the way he managed to expand his regular audience last year with "Midnight In Paris," people may show up to this one expecting more than they'll get, only to be reminded that Allen is always Allen.? That's not a slam, and it's not exactly an endorsement, either.? I like that at this point, Woody Allen has become so comfortable with what he does that his films feel inevitable.? I can't imagine a cinema landscape without that annual dose of his sensibilities, and while "To Rome With Love" is undeniably a minor key effort from Allen, there is something comforting about the place he holds in the filmmaking firmament.

"To Rome With Love" opens June 22, 2012 in limited release.

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Sunday, June 17, 2012

Guard in fatal armored-car heist caught in US

Edmonton Police / AFP - Getty Images

A photo from the Edmonton Police Service in Canada shows Travis Brandon Baumgartner, 21.

By Gil Aegerter, msnbc.com

A man sought in a fatal armored-car robbery at the University of Alberta was arrested Saturday at a U.S. border crossing, police told Canadian media.

Edmonton police Sgt. Dave Reitzel said?Travis Baumgartner, 21, was stopped at the crossing in Lynden, Wash., the CBC reported.?The crossing is southeast of Vancouver, British Columbia, and north of Seattle.

Baumgartner had been sought since the four armored-car guards he was working with were shot at the University of Alberta?in Edmonton, Alberta, early Friday. Three of the guards were killed, one critically wounded. No students were involved, police said.??


Police said that Baumgartner was alone in a Ford F-150 pickup when he was stopped and that they found money in the truck. Reuters reported that?Mike Milne, a U.S. Customs and Border Protection spokesman in Seattle, said Baumgartner had a backpack with $334,000 in Canadian currency.

Reuter reported that Scott Pattison, a spokesman for the Edmonton Police Service, said no extradition proceedings were necessary because Baumgartner had been caught at the border.?Customs officials said Baumgartner would be transferred to Canadian custody Saturday night.

Baumgartner has been charged with three counts of first-degree murder and one count of attempted murder.?He and four other guards with G4S Cash Solutions were loading money into bank machines on the campus when the shooting occurred, police said. Michelle Shegelski , 26; Eddie Rejano, 39; and Brian Ilesic, 35, were killed, The Associated Press reported. Another guard was critically injured.?

Baumgartner lived with his mother and step-sister in Sherwood Park, just east of Edmonton, the AP said.

More world news from msnbc.com and NBC News:

Follow us on Twitter: @msnbc_world

?

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Saturday, June 16, 2012

Distro Issue 45: a brief history of Motorola and WWDC 2012's top stories

Distro Issue 45 a brief history of Motorola and WWDC 2012's top stories

Still recovering from last week's barrage of fitness gadgetry? Yeah, we are too. This week, we take a less active approach to the latest issue of our tablet mag. Motorola's influence on the tech that we all know and love extends far beyond flip phones and pagers. Our own Brian Heater takes a look at the history of the company in the issue's editorial feature, offering a glimpse into the timeline that led up to Google's $12.5 billion purchase. The folks in Cupertino had an event a few days back that offered a handful of juicy tidbits -- to say the least. If you fear you might've missed something or just need a quick refresher, we run down WWDC's 10 most important talking points. Speaking of which, the "Hands-on" section this week is devoted entirely to the next-gen MacBook Pro with Retina display -- in case you've been napping and haven't had a look for yourself. In terms of device reviews, we offer our thoughts on both the Sony Xperia P and Xperia U for your weekend read. If you're still reminiscing about E3, "Reaction Time" looks at Ubisoft's new title in a week that chock-full of sequels while "Eyes-on" takes a gander at the Nest thermostat and "Time Machines" visits the roots of the TI-30X IIS. The download links are just a click away, so hit yours to get started.

Distro Issue 45 PDF
Distro in the iTunes App Store
Distro in the Google Play Store
Distro APK (For sideloading)
Like Distro on Facebook
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Distro Issue 45: a brief history of Motorola and WWDC 2012's top stories originally appeared on Engadget on Fri, 15 Jun 2012 09:30:00 EDT. Please see our terms for use of feeds.

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Friday, June 15, 2012

Judge sets hearing on CBS bid to block ABC series

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Social Madness Spotlight: Vantage Credit Union

Jenn Cloud manages Vantage Credit Union's social media outreach through Young & Free, an organization put in place by the credit union to target younger clients. Cloud's car, provided by the credit union, also promotes the brand.

Editor?s note: Social Madness Spotlight entries are provided by company officials.

Social Media stats (Young and Free accounts):

  • Facebook: 765
  • Twitter: 721

People behind the accounts:

Fast facts:

Vantage Credit Union?

Goal:

Social media is kind of like a party where your friends, your family, your coworkers, your boss, your rivals, your competitors, your exes, your high school buddies, your annoying neighbors, some random businesses, and people you don?t even know come together across different online platforms to share their thoughts.

Turning human interaction into something beneficial for your bottom line is easier said than done and the best analogy I?ve found for it is that of tending a field. It takes seeds that don?t even look like the eventual plant you are trying to grow?and then learning about all the things it needs?then actually doing these things over and over again until the plant sprouts. You need to give a lot to that little plant before it can give something really delicious back.

Social media, as a new layer of communication, is something that Vantage Credit Union really believes in nurturing. So much so that they have a sizeable, multi-part social media strategy and the largest part of it is a special program called Young & Free St. Louis. It is a project within Vantage as a whole but that functions fairly independently through its own special website and social media.

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